Always wandering, always lost. Mostly quite happy.

 

LATEST POSTS

Go to Blog
IMG_5288

I'm now writing a blog post in Japanese every week from now on. It's part of my (self-imposed) homework for a tutor that I got through italki. Every week I meet Kimie-san on Skype and she corrects my essays and we talk for about an hour. So far I've done one proper lesson (and a trial lesson before that), and she has exceeded my expectations in being a responsive and caring tutor who takes down my questions during class and sends me extensive answers through Skype afterwards even when it's not on paid time.

When the teacher is good I get super motivated to work harder, and that seems to motivate them to teach better as well - so it's a virtuous cycle right there. Anyways here is my first (corrected) Japanese blog post and a translation of it beneath.

絵を描くことについての感想

最近絵を描くことにハマっている。多分いい美術の先生を見つけたから、頑張れる気がする。子供の時は絵を描くのが大好きだったが、大人になってからほとんど描いていません。なぜでしょう?自信がなくなったとか、時間がなくなったとか、いろいろな理由があるかもしれません。

久しぶりに鉛筆を手に取って紙で線を描くのは、気持ちいいです。先生は美術は言語だと言っていました。線は言葉です。もし言葉の使い方がうまくなかったら、伝えたいことも通じない。だから、線の描き方をマスターすることはとても重要です。次に、色の観察です。光はどこから?影はどこまで?色は冷たいか、温かいか?それらを表現できれば、画家の気持ちを観る人の心まで届けられる。

名作を観る時、絵の構成や色の使い方や筆の動かし方を、丁寧に観察するべきです。その後、学んだことは紙で試して、よく練習します。こうすることによって、テクニックとセンスがよくなります。

Translated:

My thoughts about drawing

Recently, I have been into drawing. It is probably because I found a good art teacher, which has encouraged me to work harder. I used to love drawing when I was a child, but after I grew up I didn't do it much anymore. Why is that? Maybe I lost my confidence, maybe I didn't have time anymore... I suppose there are many reasons.

After a long hiatus, it feels good to be holding a pencil, and drawing a line on paper. Art is a language, said my teacher. Lines are the words. If you do not use words well, you will not be able to communicate what you want to say. Therefore, it is very important to master the use of lines. After that, it is the observation of colours. Where does the light come from? Where do the shadows end? Are the colours cool or warm? Through expressing these well, the artist's feelings can be transmitted to the hearts of the viewers.

When we look at a masterpiece, we should carefully observe the painting's composition, its use of colours, and the master's brush strokes. After that, we try out on paper what we have learnt, and practise it over and over again. If you do this, your techniques and artistic sense will get better over time.

----

I drew the featured image based on a photo from NatGeo. See more at @juneysketches.

Screenshot at 2018-04-10 16-20-35

I found out something curious today.

I was cleaning up my LinkedIn profile and relooking into my Instagram account - basically doing some social media housekeeping that I had not had time nor motivation to do, for years - when I realised that in my six years of absence from Instagram, someone had been using my account as a phantom follower to other Instagram accounts! *jeng jeng jeng*

Screenshot at 2018-04-09 23-54-57

I'm going to be peppering this post with completely unrelated pictures from my old Instagram account. We were watching some cows humping in this picture.

Let's establish some basic background. I started using Instagram around 2010, for about two years, mainly for its filter functions, which resulted in a lot of random photos in my profile which I applied the filters on. Earlier on I had already set the profile up as private because of how I was using it (i.e. as a quick photo editing tool and not a sharing platform). Around 2012, around when I was finishing up my PhD, I stopped using the app. Possibly because Facebook had acquired Instagram, or maybe I got tired of it, I don't remember.

Today I revisited my profile and reset the password because I had forgotten it. I started looking through the pictures, of which I had 270 - a number which I was genuinely surprised by, as I thought I had twenty pictures tops. But then I noticed something funny. I had the grand total of one follower, but over 300 profiles that I was following. My feed was full of unfamiliar profiles, some of them in Arabic, some in Russian, some in Spanish.

Screenshot at 2018-04-09 23-52-09

This was taken in some French town. The busker had left for lunch, or skipped town - we will never find out.

And then it dawned on me that quite possibly my account had somehow been taken over - hacked? - and all these profiles that I was following probably bought their likes. And that I now have a list of over 300 profiles which are like-buyers and fraudster influencers.

I clicked randomly through the list, and these are what I found:

  • Lots of legitimately cute chicks. There's even a really beautiful female body builder in there with an intimidating silhouette. A Korean singer/song-writer. Many different personalities - Chinese, Japanese, Spanish-speaking, tudung-wearing, globe-trotting... but ultimately quite boring profiles. If you've seen one selfie, you've seen them all.
  • There are also guys of course. There's a guy in there who collects expensive branded bags. An Italian actor/producer who has 1.5mil likes. An old dude who seems to be living the life, photographed with many expensive cars and at many travel destinations. A young dude who has many artistic shots of himself (probably can't afford cars and trips). Some American guy who has a PhD, is a producer, a pilot, and works in law enforcement - if he didn't buy my like I might have trusted his long list of achievements a little more.
  • Businesses, as well. Someone who sells Legos in Indonesia. A slimming/wellness service provider from the Philippines which was apparently founded by a former beauty queen (I arrived at their website and dug deeper). An Australian shopping centre showing pictures of all their vendors. A bank from India. An art gallery from somewhere that speaks Arabic, which actually looks like a profile that I wouldn't mind following - one of its pictures are of a group of women with headscarves sitting together, drawing.

Screenshot at 2018-04-09 23-45-21

Drinking from some random stream somewhere. There's probably a healthy colony of parasites in my gut now.

  • Most of these accounts have an upwards of 10,000 likes. The highest that I've seen so far is 3.9 million likes, and the lowest at 1600+ likes. Wonder how much of that is actually real.
  • There are profiles which seem to have quite a lot of actual engagement, like comments. But of course many are not very engaging, so they look quite obviously fake, with the disproportionate like/comment ratio. A small number (let's say 10%) of these profiles are verified accounts.
  • These people put real effort into their content (of course they do), resulting in a really long list of insta stories that I do not have the time nor energy to go through. However I saw at least one profile which has only 31 posts, basically a collection of some random videos and pictures that he finds funny, with no perceivable profit motive or "influencer ego" that I can see... yet he has 14k likes and obviously cared enough about likes to buy mine. I am confused.

Screenshot at 2018-04-09 23-48-32

Drunken crayoning reveals angst. I don't think I was in a relationship at that time though.

For some reason Instagram doesn't let me open too many profiles/tabs at the same time (gives me errors) and I found myself having to refresh some pages repeatedly to get through. So I got tired of doing that and stopped my profile surfing.

What are the takeaways from this experience? On the digital security front, it is fortunate that my privacy settings are still set as private. That had not changed even though the hackers would have had ample opportunity to change it, or to hijack my account completely. I have also not observed any evidence of myself doing much else besides following profiles that I don't know. I'm guessing (and hoping) that with my changing of the password, all this hanky panky will stop. I'm still maintaining this private account because I don't want to lose the pictures inside, but I have built an active one linked to a new email account to post my sketches and drawings (it's @juneysketches). I've also been using KeePass for managing my passwords nowadays, so the new passwords will be much harder to crack.

Screenshot at 2018-04-09 23-47-50

Eva radiating joy in her Same Same (But Different) t-shirt, accompanied by our Wall of Awesome. Those were good days!

The other thought that I have is a little harder to pin down. I am fascinated, if a little repulsed, by the idea of being so desperate for likes that one has to buy them. This brings me back to a book that I read last year, I think it was the one by Douglas Rushkoff that talks about how all the value has been extracted out of the economy and people turn to virtual currency such as "likes", which can then be converted back to real money through their influencer status. I suppose money begets money? If you invest real money in virtual likes, you may get the returns in real money as well. But then, these are the people who actually understand the rules of the game and are playing to win.

What about those who are actually relying on likes as a status symbol? Competing with their peers on virtual popularity, at the same time knowing that their own follower base is actually hollow and meaningless? How many layers of sad is that? So many layers. :(((

Screenshot at 2018-04-09 23-47-03

My house mate had bought a twenty kilo jackfruit. We had jackfruit for a LONG time and I think the fridge never got over the smell.

In any case, I'm constantly reviewing my stance on social media. From being pretty careless about it to completely adverse, I have traversed the entire spectrum and am currently trying to strike a balance on having some sort of presence but curating and sharing mindfully. I think that the Indieweb concept is pretty good - basically you have all your content on your own website and syndicate them out to the platforms, so that you always own your content, and interactions on the SNSs come back to your website so that you don't lose anything. The implementation is in the pipeline but I need to wait till Leo helps me to revamp this website to be compatible with Indieweb.

Screenshot at 2018-04-09 23-57-10

Here's a piece I was doing, drawing Leo's mate with its metal straw (and look at the two stick figures perched on top, so cheesy hahah)

For the time being, it seems to be a matter of getting used to connecting with people online again, and enjoying the process of writing and drawing without being distracted by social media. A battle against the attention economy at large. Maybe it's a muscle that one has to flex. Better start earlier than later.

Screenshot at 2018-04-09 23-46-20

For some reason I made a filter of this screenshot of a chat I was having with XC, circa 2012. I still find it hilarious HAHAHA

Unrelated, one day later, when I pressed publish: Just found out that GE is now set on 9th May. Wednesday. ARGH fuck this shit.

I have finally finished the proposal for NGO workers! You can download it here. It explains the importance of the research and also how I plan to collect data and conduct the study. It’s not set in stone – I intend to incorporate any useful feedback that I get – but so far I’m happy with it.

I am reaching out to my networks to see if anyone might know of anyone who might want to fund it. It’s a long shot, but it was an issue that I had to get out of my system anyway. So let’s see what might happen. Feel free to send it around, let me know if you have any feedback/questions on the content of the proposal, or if you have any inkling of who I should talk to.

In general I’m looking for research-related jobs and work. While I have enough of reserves to keep me going for some time yet, I can feel the weight of my entire bloodline of Chinese forefathers nagging at me for not having a retirement plan (nor a stable income). The Tans do not sit around and wait for things to happen, they sigh disapprovingly, when I attempt to do so.

So, what to do. Find work loh. ^^ Preferably on an issue that I care about, but let's see.