I’m now writing a blog post in Japanese every week from now on. It’s part of my (self-imposed) homework for a tutor that I got through italki. Every week I meet Kimie-san on Skype and she corrects my essays and we talk for about an hour. So far I’ve done one proper lesson (and a trial lesson before that), and she has exceeded my expectations in being a responsive and caring tutor who takes down my questions during class and sends me extensive answers through Skype afterwards even when it’s not on paid time.
When the teacher is good I get super motivated to work harder, and that seems to motivate them to teach better as well – so it’s a virtuous cycle right there. Anyways here is my first (corrected) Japanese blog post and a translation of it beneath.
絵を描くことについての感想
最近絵を描くことにハマっている。多分いい美術の先生を見つけたから、頑張れる気がする。子供の時は絵を描くのが大好きだったが、大人になってからほとんど描いていません。なぜでしょう?自信がなくなったとか、時間がなくなったとか、いろいろな理由があるかもしれません。
久しぶりに鉛筆を手に取って紙で線を描くのは、気持ちいいです。先生は美術は言語だと言っていました。線は言葉です。もし言葉の使い方がうまくなかったら、伝えたいことも通じない。だから、線の描き方をマスターすることはとても重要です。次に、色の観察です。光はどこから?影はどこまで?色は冷たいか、温かいか?それらを表現できれば、画家の気持ちを観る人の心まで届けられる。
名作を観る時、絵の構成や色の使い方や筆の動かし方を、丁寧に観察するべきです。その後、学んだことは紙で試して、よく練習します。こうすることによって、テクニックとセンスがよくなります。
Translated:
My thoughts about drawing
Recently, I have been into drawing. It is probably because I found a good art teacher, which has encouraged me to work harder. I used to love drawing when I was a child, but after I grew up I didn’t do it much anymore. Why is that? Maybe I lost my confidence, maybe I didn’t have time anymore… I suppose there are many reasons.
After a long hiatus, it feels good to be holding a pencil, and drawing a line on paper. Art is a language, said my teacher. Lines are the words. If you do not use words well, you will not be able to communicate what you want to say. Therefore, it is very important to master the use of lines. After that, it is the observation of colours. Where does the light come from? Where do the shadows end? Are the colours cool or warm? Through expressing these well, the artist’s feelings can be transmitted to the hearts of the viewers.
When we look at a masterpiece, we should carefully observe the painting’s composition, its use of colours, and the master’s brush strokes. After that, we try out on paper what we have learnt, and practise it over and over again. If you do this, your techniques and artistic sense will get better over time.
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I drew the featured image based on a photo from NatGeo. See more at @juneysketches.